If you had been in the vicinity of the Turk’s Head Tavern on Soho’s Gerrard Street on a Friday evening in the second half of the 18th century, you might have recognised a number of famous men ...
Few modern ideas have had more traction than the Enlightenment belief in the eventual triumph of reason over religion. Indeed, generations of sociologists have argued, with little opposition, that the ...
British constitutional experts have a lot to get their teeth into in 2020. The last three years have exposed several fault lines: over parliamentary procedure, the interaction of direct and ...
Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey Thomas W Hodgkinson - There Was No Sorcerer Thomas W Hodgkinson: There Was No ...
The Scapegoat is Sophia Nikolaidou’s first book to be translated into English, despite her considerable literary reputation in Greece. It opens with the death of an American journalist as he is ...
Often books about the Third Reich have a last chapter called ‘Götterdämmerung’ or ‘Twilight of the Gods’. The Wagnerian link seems apt; wasn’t the anti-Semitic German nationalist Hitler’s favourite ...
Soul? What Soul? An alluring book title, I’m sure. What about a book called ‘The Soul of England?’ The Chinese soul, ancient or modern, like other souls, longs for freedom and wealth, material and ...
When they are bound to serve, love and obey? Should there perhaps be an option to alter the word ‘obey’ as there is in certain wedding services? Fiona Shaw, in Jonathan Miller’s production, is the ...
When I was military attaché in Rome, an Alpini general once asked me who were the ten greatest British generals. I replied that there would not be much argument about the top five but that opinion ...
Susan Bridgen is a rare creature among Tudor historians writing for a general audience. Her style is spare, her manner cool and impersonal. Not for her the luxuriant prose, the passionate engagement ...
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The best way to enjoy Mozart & The Wolf Gang is to avoid making any attempt to categorise it. In essence, it is about musical aesthetics. Burgess begins with a conversation in heaven between Beethoven ...